Using a Paris postcard as an ideological contrast, Whitney O’Reardon (Class of 2022) suggests how Pissarro embedded politics in his rendering of an urban crowd at Gare St. Lazare (1893).
Using a Paris postcard as an ideological contrast, Whitney O’Reardon (Class of 2022) suggests how Pissarro embedded politics in his rendering of an urban crowd at Gare St. Lazare (1893).
